When you eventually do pick the a great studio, one that you are feeling confident at, there is a certain routine that must be followed to get the best performance and the best recording for your dollar.

Tune Your Instruments. This also includes your drums and any tunable percussion instruments you’ll have. There’s nothing at all worse in the world than to have a wonderfully written tune with an ideal performance be ruined because somelazy one failed to take an extra 2 mins to check their tuning. Tuning takes 1 or 2 minutes ; a recording lasts for keeps.

Be thoroughly rehearsed. You’ll be surprised how many bands suffer when they get the final bill.  The real reason for that is because they confuse practice time with recording time. Rehearse at home, in the garage, at your uncle’s house ; anywhere except at the recording session. When you reach the session, you need to know your tunes inside-out and be prepared for the red recording light.

Practice with a click track. A lot of drummers unable to play with a click track. Ensure drummer can. A click track is important in getting a good basic rhythm track that the rest of the band can groove to, and to sync-up loops and delay times.

Arrive on time. Many studios start charging the clientele from the precise time agreed to in the contract.  Just because you decide to show up late, doesn’t mean the studio should give up that time for free . Be early and be in a position to go. Not only that it’s disrespectful for your band mates.

Get the sounds right. Never, ever attempt to correct it in the mix. It doesn’t work like that. Take an extra few mins to modify the sound before laying it down.  tweak that knob, tune that drumhead, have another sip of water. Remember again, tweaking may take an extra minute, but the recording will last for all eternity.

Know when to quit. Recording often leads to diminishing returns. Spending hours} straight at the recording studio isn’t going to make your song twice as good as spending ten hours. This rule also is applicable to the mix down. If you are beat, call the session and return the subsequent day awake and prepared.

Record alone. Don’t bring your friends, family moms and pops or anyone else into the studio. As fun as it may be, you are there to do a job and record the best music possible. If you’re a millionaire, then by every means, have a party at the studio, but don’t depend on getting anything done.

Mix and match. After letting the engineer do the 1st rough cut (which he should ) do an A / B comparison of your mix to some of your fave CDs. Recall that the production CDs you are listening to have recently been mastered. But it is a good way to compare levels and other elements.

Bring backups. Always bring spare strings, drum heads, bass strings, water bottles, throat lozenges, etc to a recording session. You’ll always need the sole thing you didn’t remember to bring, so carry it all and leave them at the studio till your recordings are finished.

Have a good time! This is the most vital reason of all. Making and recording music isn’t rocket science. Although there’s a science involved, you must let the studio professional worry about that. If you are not having fun, then you are in the line of work! http://www.micsandmoreonline.com